Of Things That Have Been

I finger them mindlessly most days,

These tokens of thanksgiving.

In some familiar corner of my brain I am

aware of their weight and

the anorexic string that

keeps them connected to a well

untended.

But something has shifted

inside of me and

I can’t remember

how to see.... 

To keep reading this poem, please follow this link

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I am writing today over at my beautiful friend Elizabeth Marshall's home, 

Poetry & Prose Through A Lens of Grace.

She extended a gracious invitation to several of her friends that write poetry and I am honored to be included in that circle.

Elizabeth and I have a history of mingling words and images and stirrings of the heart.

Together, we created Adagio, a writing "pas de deux" of sorts where we wove our words together to pen poems. 

Quite a bit of life has happened between that last project and now, as well it should have. But we are both very excited to join together again in the new year. It is our hope that you will journey with us.

A Litany of Next Things

I am forcibly willing myself to sit in this hard wooden library chair.

Right now, as I finger this keyboard, the sky above my roof has been cooled to a deep cerulean and is being occasionally scrubbed to gleaming by wave after wave of cloud stuff. Every tree is heavy with leaves and shadow but, hidden deep within each, is the glory of birdsong, trilling like so much music.

This day is one I will not soon forget. It is just too beautiful to let slip into the ether, as if it was nothing remarkable that the sun broke free of the horizon and unleashed this beauty on all whose eyes fluttered open this morning.

This day is the sort from which dreams are spun.

So to purposely sit here, in this chair, on this day means I am trying, with all of my might, to finger the threads of thought that have been fraying frantically in my head for months. These last weeks and days have often felt unmanageable, heavy with grief and bewilderment and seeming idleness. I have done my best to muddle through, pulling on joy when I couldn't handle the dark anymore and praying that sleep walking was better than standing still.

But the honest truth is that I have often felt as if I was screaming, mouth wide open, throat scraping raw, screaming. Silent and piercing, all at once. The core of me, the one that must write to figure out what she is thinking, has felt imprisoned by grief.

If, a year ago, you had tossed out the question of how I might one day deal with the pain of losing my mother I would have, most assuredly, said: writing.

So, when confronting the reality and heartbreak of my mother's actual death, I've hardly penned a word in response? Well, it has been disconcerting, at best.

And the longer the break, the more days that pass and words fail to appear?
The more I
have felt
as if I
am
disappearing.

I have felt like a glass jar full of silt shaken and left alone, shaken and left alone, shaken and left alone
again
and
again
and
again.

That is why today's clarion beauty has felt like such a gift. The morning's lighter air and gentle rippling set a precedent and the waters upon which chaos floated have started to settle. A separation has begun and I am beginning to distinguish sand and rock and crystal. What used to be only a muddied swirling now contains flecks of gold dust.

This might just be where the words have been hiding.

All of today has been like one slow remembering. I realize that grief has kept me from noticing like I used to notice. When you are trying to simply put one foot in front of the other, you don't often bother to spend time studying vapor trails or listen to the way grass stretches as each drop of dew slowly evaporates. You just seem to focus on the next thing.

But today gifted me with a litany of next things and I have discovered that the gnarl of frayed and woolly thoughts languishing in my head have begun to spin. Along their edges there seems to be a thread forming. The beautiful and terrible things of this world are working together to draw out the fibers in my mess and the twisting and whirling of the last few months don't feel quite so in vain.

I think that, tomorrow, I will follow the beauty.

Again.

On the passing of my mother

She is from a white clapboard house with a wraparound porch, claw foot tub and Dove soap smack in the middle of Macon, Georgia.

From the streets of Madison and Carling, up and down Coleman Hill, where she walked to Whittle School and the Public Library, and boldly asked for a library card at the age of 5.

She is from playing under fig and pear trees, soft scented pines and shiny leaf magnolias, red clay staining her bare feet and the smell of paper mills filling her nostrils.

She is from Berry and Sallie Belle, Wiley, Sister, Doris, Roger and Jimmy.

She is from strong as oxen Shero aunts who farmed cotton and worked in pants plants in Wrightsville, Georgia.

She is from the Depression and Tuberculosis and a family that took in folks who were down on their luck. From fish on Friday and First Street Methodist.

She is from picnics on Stone Mountain, Finchers BBQ, NuWay hotdogs and LaVista Catfish.

She is from poise lessons and perfect posture and words dripping honey sweet from her mouth.

She is from a hair-brained idea involving a midnight double date rendezvous to Aiken, SC, a half drunk justice of the peace, and a 4th of July celebration that included one very busy rotating fan.

She is from moves to Indianapolis, Indiana and then St. Louis, Missouri that took her from her beloved South.

She is from north of the Mason Dixon line where she took it upon herself to soften the edges of every nasal accent in the Midwest.

She is from bacon grease on the back of the stove and dog bowls at the back door
and champagne bottles that toasted births all lined up in a row. She is from Boston Ferns and summer deck parties.

From coffee and cherry chip birthday cake and hands that smelled like onions.

She is from chuck roast in the electric skillet, onion soup mix brisket, Jello salads, massive pots of spaghetti, liver and onions, green enchiladas, asparagus disguised as green bean casserole, sweet tea and Hallelujah banana bread.
She is from “I love you a bushel and a peck” and “Gimme some sugar” and, perhaps most famously,  “Tim Smothers, you will nevah, nevah, evah drive that Aspen Station Wagon again!”

She is from Herb Albert and the Tijuana Brass, the Johnny Mathis Christmas album, Dionne Warwick, George Carlin, Flip Wilson, Bill Cosby, Cheech and Chong, Fiddler on the Roof, James Taylor and that Classical Music in the background.

She is from You Are My Sunshine and Everything Is Going to be Alright.

She is from “To Thine Own Self Be True” and “It’s Your Mama.” From “All Is Well” and “It Is What It Is Grandma” and “Live Well, Laugh Often, Love Much.”

She is from dancing jitterbugs across linoleum floors and slapping her knee at every guffaw.

She is from birthday cards and notes in school lunches and throwing kisses and standing at the door until your car was out of sight.

From “psspsspsspss” and “chum on” and “doodlebug” and “Honey Bob.”

And forever and ever and ever, she will always be from shooting stars and fireworks and every smile shared by those that loved her best.

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There you have it. The world as we have known it, all the days of our lives. We were molded and shaped and created from that celestial brew of whimsy and joy and strength.

We have never known ourselves or our world without our mother in it.  I am here, my brothers and sisters are here, because of her.  We are who we are, because of her.

Our mother was a curator of a welcome life.

To live in the orbit of our mother was to always be invited, received, entertained, accepted.

But perhaps above all, to have known my mother was to have been loved.

Her life was a lesson in loving.

What she taught us all was to always run hard after love. In all circumstances, by every means necessary, even when we screw things up or we do the exact right thing--we need love to be what is standing between us and everyone else. When love is what we choose to weave in among the fibers and snags of our everyday life, when love gilds the edges of tired joy or stretches across the chasms of unspoken fears then we become Love lived on purpose and that breathes life and one can catch glimpses of glory come down.

In the wake of my mom’s death, we are sad, yes. We feel carved out and empty and the truth of what we are left with actually aches in ways deep and long, yes.
But this, too, is also true:

There is still life, despite the loss.  There is still love in the world, despite the severing.  There is still light, despite the darkness.

And that gives me hope.

Because, if it is true, that we are who we are because of our mother...
then it means that this whole dance, all of the goodness and light spun dizzy with all of the defiance and angst, all of the ways that we continually fall down and help pick each other up, all of the beautiful and mundane, the fascinating and the trivial, the whole and the half?

It's part of us too, now, tucked away in the obvious and secret places, planted in soil made rich with her love and care for us.

It is through loving and singing with our own children or grandchildren, by partnering with kindred souls or living alongside people that challenge us...all of it ripples on and on and on.... people are continually made and remade because we are in their lives...which means that our mother lives on.

And I pray that one day, when the pictures are pulled out and the chronology of our becoming is on display, the one thing that will have leaked out all over, dripping from the corners of our eyes and the edges of our smiles, is the amazing truth...

that we were loved by her.

I Am From

I am from bacon grease on the back of the stove
and dog bowls at the back door
and champagne bottles that toasted births
all lined up in a row

I am from the yellow house with pink shingles
and creaky wood floors
and one full bath
for seven people

I am from a family that didn't expect me because it was already full up with teenagers
and long haired boys on motor bikes and girls almost grown up and leaving
but it was also full up on love
and
so I am from babysitters and ice cream buyers and we love you so much

I am from the kitchen
with the worn wooden table and ash trays full to the brim
and coffee cups strewn about half full and kissed with lipstick

I am from Tree City USA full of stately elms
that grew so tall and wide they pushed sidewalks aside
and shaded generation after generation
until a disease infected them all and they slowly disappeared forever

I am from playing under water locusts and china berries and blue spruce
and climbing that one ginko all the way to the top
knowing that heaven was that much closer
because I dared
I remember that tree's
long gone limbs
as if they were my own

I am from Ghost in the Graveyard and Kick the Can
I am from Truth or Dare and lightning bugs

I am from church on Sunday and everything in order
I am from Mama and Daddy and "Aint" Alice and Uncle Roger

I am from damaged bread and honey buns and bear claws left for trash
but rescued by a hard working man who knew treasure when he saw it

I am from "Give me some sugar!" and "stand up straight"
and "You are my sunshine" sung in two part harmony

I am from The Gateway to the West and baseball and frozen custard and thin crust pizza
I am from Atlanta and Emory and Chick-Fil-A and Jimmy Carter and pot liquor
But I am also from Germany and England and Scotland and Prussia

I am from black-eyed peas and turnip greens and fried corn bread and peach cobbler
I am from apple pies and sauerkraut and fresh honey dew
and a cup of hot water first thing in the morning

I am from Meme and a house that always smelled of creamed corn
and bacon and Dove soap and Brach's candy

I am from Grandma whose short legs and generous jowls
now look at back at me in the mirror

I am from the Jim Crow South
and Whites and Coloreds

I am from rural Ohio
and soybeans and corn
as
far
as
the
eye
can
see

And now I am from three boys and a man
and a dog whom we call Stinkerpants all crammed into an ancient house built of stone
I am from writing down the stories with my eyes wide open trying to drink in all of the glory
before I fall asleep

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One of the many reasons that I love being a part of SheLoves Magazine? Synchroblogs like this, in honor of Heritage Day in South Africa. This is my offering for the "I Am From" prompt, an opportunity for folks around the world to share more about who they are and what has shaped them. We would love for you to join us. You can link up your own poem here. And while you're linking up, be sure to read from the amazing collection of stories already gathered there.

You Can't Always Get What You Want...

In all respects, I should have been a spoiled child.

I was a surprise baby (child number five), with ten years separating me and my next oldest sibling. And if you’ve ever listened to the worn out tales of babies born into such circumstances you know the expected end-product: snotty nosed brats who lug around heavy doses of entitlement.

But God chose to place me in a family that doled out love by bushels and pecks and hugs around the neck and so the only things that came to be spoiled around our house were forgotten cartons of cottage cheese shoved to the back of the refrigerator.

Because, you see, love has never spoiled anything. Ever.

But I was a child once and, as such, I certainly had my moments--moments of selfish desire and impudent behavior, of unmet longings and unrequited wishes. And, being a child, I naturally looked to the givers of good things—my parents—for the delivery of said hopes.

So, as a child nurtured by way of arms flung wide and hearts burst open, the phrase “You can’t always get what you want” was a tad bewildering, at first. Not because I was spoiled or bratty or entitled but because, for so long, my parents’ love had been enough. Love and acceptance had been the standard upon which I grew and thrived and so, I had never really felt a lack.

And then I entered junior high and everything kind of flipped upside down...

Continue reading over at Mama Monk with Micha Boyett? Join me here.

Turning Pages

I haven't made much time for writing lately.

It's a new reality that I am simultaneously hating and embracing. Hating, because I am always thinking, musing, lining up words and ideas, wanting desperately to pen them down, keep them fast and that is just not happening. But I am also embracing this new way because I am really here, in this moment and that last one and that other one last week where I gazed upon orange colored skies wrapped in a wide open rainbow. Yeah, that one.

But I had to stop today and remember a few things. Because some things you just don't ever want to forget.

I am growing a life inside of me for the third time but the hugeness of that still catches me by surprise some days. Such as the tiredness that encroaches upon every square inch of skin and bone and muscle and demands that I stop.right.now and rest. And so I do. I stop and stretch out upon my bed and I let myself sink into cushion and blanket and holy rest. And that baby hidden deep? He tickles me from the inside, thanking me for that little bit of extra room that lying on my side provides him. It is then that I realize that I am so very human and what is happening inside of me is so very God and I can't help but smile at the absurdity of it all.

Then there are the moments when I realize that conversations with my two boys have started to include subjects and topics that stretch beyond Legos and Iron Man and Hank the Cowdog. They are asking bigger questions now, questions about relationships and current events and sex. And every time we close out those talks, its as if I'm turning pages of their childhood at a faster pace and I can see how the paper is curling and yellowing, as if we are coming dangerously close to the end of a chapter.

Surprisingly, I realize that I am okay with that. I'm excited for new chapters and story lines and plot twists.

But then the aforementioned tiredness will, again, wash over me and I am reminded of the return to babyhood that is imminent. And I sigh. Will I remember how to do all of this? When I slow to the pace that mothering an infant requires, will I end up sputtering to a tragic end, like my old Nissan? How will I manage to stay connected to the boys that are growing taller by the day and reaching further into the future than I can see when I am totally consumed with free flowing breastmilk and piles of laundry? What does bridging that huge gap even look like?

And then there will be a moment. The ones I have by the handful now.

Yesterday, as I sat in my chair, the baby deep within was alive and kicking and I called Aidan over to place his hand on my belly. I've tried this before but we always managed to miss the opportunity. But we tried again.

And there was a kick. I quickly looked at Aidan and he jumped in place and hollered that "HE HAD FELT IT!" and his smile--his smile that would soften the hardest heart--it shone glory and his eyes danced with pure joy. And in that moment, we were all connected and alive and in love.

It was then that I realized that there is no gap too wide that love can't bridge and that, sometimes, what brings the world to its softest place, the place where heart fires are kindled and hope is born, most often, is a baby.

Linking today with Emily at Imperfect Prose.

Comfort

You were ready with love bursting when you met that handsome young man in the uniform who spoke like a farmer. You walked with an elegance that defied your age and your words dripped honey sweet from your mouth and I'm sure that, in the end, that is what did him in. You ran away into the night, hands held tight, wishes trailing from your tailpipe, desire flooding like pools of joy. And on the other side of that day, you were One.

And soon you were three and four and five and six. The years would stack like so many dishes and several moves would have you settle in different houses, different states, even. You would leave your beloved South-land, with its Camelias and Finch's BBQ, its red dirt and turnip greens, and you would walk bravely into cities whose edges turned sharper and whose winter's blew colder.

And all along the way, you crafted joy. You danced jitterbugs across linoleum and slapped your knee with every hearty guffaw. Your animated storytelling enraptured neighbors and strangers alike and your ability to connect with people endeared you to everyone you met.

My arrival was a completely unforeseen surprise, tacked onto the back side of an already well lived and very full life. I'm sure my entrance was cause for many deep breaths, or the wringing of busy hands, or the prompting for many prayers thrown heaven's way.

But the most amazing thing?

I always felt like the most desired child in the world.

Never once did I ever question how very much I was loved and cherished and adored.

Never.

Even in my more adolescent moments, like the one captured in the picture above, where you are sitting at a picnic table, smiling at those around you and I sit, in the background, gazing at you. My smug expression is not the truth of that moment. What looks like angst and resignation is really me just trying to take the all of you in.

And I continue to want to take you in. The all of you.

Because I know that, no matter my age or station, no matter the day of week or what year whispers from the corner of the calendar page, I want the all of me to house all the glorious parts of you I've gathered.

Because I've been collecting them, you know. These parts of you.

The ways you cuddled and caressed, the ways you embraced and enfolded, the ways you bore all and believed all. The myriad ways in which you loved--whether it was through story, or coffee, or grandkids, or fried catfish, or Carol Burnett, or fireworks.

All of this? All of the beautiful and mundane, the fascinating and trivial, the whole and the half?

It's part of me too, now. Tucked away in the obvious and secret places, planted in soil made rich with your love and care for me.

And I pray that one day, when the pictures are pulled out and the chronology of my becoming is on display, the one thing that will have leaked out all over, dripping from the corners of my eyes and the edge of my smile, is the amazing truth...

that I was loved by you.

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This post was inspired by today's Five Minute Friday writing prompt however, I, in no way, stuck to the rules.

Sometimes, I like to break the rules.

The Road

I would sit at the end of my black-topped driveway, nudging pill bugs with skinny sticks and wiping sweat from my brow, afternoon upon afternoon. There was always an ambient soundtrack running--bird calls, a solitary dog barking, someone beating out a rug on their front porch. But the one that always caused me to lift my head and notice, really notice, was the sound of the '67 Chevy, backing slowly out of the wood framed garage and into the gravel driveway. It was that sound, the crunch of rock under slow moving tires, that stopped me short and still.

Mr. Kauffman did everything deliberately, slowly, with intention. He cut his grass with an old fashioned push mower, the kind motored only by human muscles and blades that whirled and spun, grass pieces flying up like so much confetti. With each turn and switchback he made, laced throughout the smell of moist green and shredded leaves, there trailed sweet and musky pipe smoke, a ribbon of grey fluttering behind him.

It made sense, then, that he would pull out of his driveway with a similar pace and purpose. And the result was a perfectly magical crackle that felt like time suspended.

I now live at the end of a long, gravel driveway, seemingly fashioned from the broken fragments left from when our stone house was built all those hundreds of years ago. Splintered limestone litters the car path, spraying dust into the nearby grass during the dry times, puddling gray and milky after the rain.

And it is still that sound, today, that slow, crackling pop of stone beneath rubber, that stops me short, draws my face to the window, tickles the corners of my mouth and makes me sigh content.

For now, that sound is more like a herald to me, signaling that subtle shift of day when the sun slants keenly and dinner smells waft through cracked windows and young boys shout and run for the door.

I take more gravel roads than paved these days, it seems. That's how it goes living outside of the city limits. The blacktop can only reach so far, you know. Driving to visit friends brings crunching rocks and flying dust and the requisite slower pace.

And as I putter down their private roads and winding driveways, I can't help but wonder if the sound of my coming evokes the same thrill in their bellies as it does in mine. Does the sound of crunching gravel sing a song of home to them?

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This is my first attempt at Concrete Words, an exercise in "writing out spirit" by writing about the invisible using concrete words. This week's word is The Road. The idea is to use the word prompt as a catalyst for writing out what is around us. Amber Haines of the RunaMuck began this exercise and she has now turned over the curating to my beautiful friend, Nacole. If you would like to join this community of word weavers who are attempting to use their words to tell a deeper story, hop over here to link up your piece.

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Photo credit: Wolf Lake Landing Road by andyarthur on flickr

Brave Words: I Believe

The years, they begin to stretch a little thinner with each turn of the calendar. There is always a slight pause at the realization, an imperceptible shake of the head, a quick tightening along the jaw bone.

And then the resignation and the practiced patience. The deep breath and the tight smile. Perhaps it is habit or even a feigned fortitude. Whatever it is, it pushes forward.

It must.

But this year’s turning almost undid me. It swelled loud and frightening and red and there was a hemorrhaging of questions and unknowns. There was fear. The cinch of my belt was acute and there was an ache deep within my belly.

And I found myself asking, no, begging, the question:

On how thin a line can one continue to balance?

But hidden within the possible answer was where my biggest fear actually lurked.

What if the answer was hidden in the hard truth of

giving up

and

giving over

and

giving into?

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I'm sharing my story of unbelief over at Kelli Woodford's place today. Kelli has been hosting a series on Brave Words and here are her words on this series:

"Writers see more clearly when they can cover an experience with words. Not to hide from it, but so that what is truest and perhaps most important about the experience is made manifest to eyes blind in all other directions.  This is my reason for writing this series. 
In it I hope to allow the courage God places in our hearts access to our tongue. That in looking at the many syllables of Truth, and how they differ for each of us, we can also learn to speak them bold when surrounded by the cacophonic glare of lies.  That we can recognize how God is speaking His courage through us more often than we know.  Oh, so much more often than we know."

A Moveable Feast

Six sets of hands circled round me

the day that I entered that very fine house

and I was petted and loved on

my head was ringed with kisses and toasts were made to bless me

and I suppose that it was there that my story began

Mine was a childhood gilded

I know

for days stretched long and full and calm

and I sailed my boat upon placid waters

but, somehow, there was always a knowing

and I longed to string those days

on ribbons of silk

one upon the other

and tie them around the necks of the lonely ones

who hid in corners

so that they might know what home smelled like ...

I am writing over at SheLoves Magazine today and I would love for you to follow me there to keep reading my poem on this month's theme of Home.

Join me? Yes? Then follow me here.

In which I visit my sixteen year old self

I see her there, sitting in the car, looking at the sky. She is sixteen, hair forced in a dozen directions, left ear lobe studded with silver, looking sulky. Really, she just has that kind of resting face. Among other things, she inherited her grandmother's jowls and sometimes they can weigh a face down. 

The tape in the cassette deck plays The Church. M gave her that tape. He made it for her during their very brief going out experience. She never understood why he liked her but he made her mix tapes from his monstrous CD collection and she kept those tapes infinitely longer than their fling ever lasted. He wasn't the only one that made her mix tapes. She had a box full of them, all crafted by boys who had liked her. The tapes were still there. The boys were not. Music has a tendency to do that. Last.

She gets out of the powder blue station wagon, the car she learned to drive in, the one that she could parallel park like a boss. Her mom taught her how to do that fifteen minutes before the driving test and, to this day, it is the one driving skill at which she truly excels. She's proud of that. She should be embarrassed to drive this family truckster around but she isn't. It's her family's car, their only car, and she is thrilled at the moments of freedom it buys her. Driving that car, windows down, music playing...she is catapulted forward in time. She feels wizened. Mature. In control.

She won't smoke inside the car, though. She doesn't want to risk getting found out. But even more, she fears the disappoint it would bring if her parents ever found out. She doesn't want them to think she was one of those kind of girls. The ones that spend the five minutes between classes in the school courtyard with all of the other burnouts. No. She wasn't like that at all. She wasn't a real smoker. She only smoked in secret. Or when walking around The Central West End. Or at Denny's. Until her neighbor happened to come in and see her. She always hoped that maybe he didn't recognize her. And she really hoped, more than anything, that he didn't tell her parents about it.

She pulls out a Camel Light and her Bic lighter. They are hidden in that zippered pocket in purses that are made to conceal feminine products. She keeps cigarettes and a lighter alongside her tampons. Her mom would never look there, right? 

She never meant to actually like smoking, it kind of just happened, and her favorite part is the smell of a cigarette when it is first lit. This smoking alone makes her feel older, too. She is very deliberate in the way she inhales and exhales and it becomes a calming ritual, a breathing in and out. I want to tap her on the shoulder and remind her that she is smoking, not doing asanas. 

As she inhales she thinks back to the days when she dated W. He smoked Marlboro Lights, like his mother, and so they shared packs of cigarettes. The freedom with which he lit up in his bedroom always felt both exhilarating and monstrous. Did his mom know what else they were doing behind that closed door? Did she care? How could she not care? That removed distance between mother and son never ever sat right with her. And even though there were a dozen other girls with spiked hair and trench coats and Doc Martens in the world, the fact that the bad boy with a mohawk and tattoo picked her never ceased to amaze and frighten her. It caused her to make decisions before she really knew what she was getting herself into. It meant that she sometimes confused who she was with who she really wanted to be. And it ultimately meant that she would break it off with the bad boy who somehow managed to make her feel beautiful and cheap, all in the same kiss.

I wonder if I would like hanging out with her. Would she afford me the same grace she seems to grant absolutely everyone else? She's incredibly open to everyone. Too much, sometimes. She reveals her vulnerability and transparency in ways that make people feel understood, which is admirable. She is a good friend.

But she has also been capricious. At one too many parties she has marinated her tender spots with Boone's and there was one who saw her weakness, every time. Why did she always take his hand and walk into the darkness? Again and again, she knew what was behind that door, yet still, she followed. I wouldn't have much patience for that if I were to hang out with her today. I would tell her that she was made for so much more than following.

Would she be nice and polite because she didn't want to hurt my feelings but secretly wish that I would go away? Probably. I think she would know that I represent truths she's been burying beneath hair spray and a wardrobe of black. She would probably decide that she wasn't ready to talk to me yet. 

But if she would listen, I would tell her that she is already enough. Yes, she is a work in progress but who isn't? I would tell her that all of the things that tug at her soul, that move her, are good and beautiful and worthy of being loved and that if she embraces that she will find that she is weaving beauty right round her. That we are all the sum of our parts, not defined by one or two events or decisions, but by a diligent stringing of day upon day. I would give her permission to redefine herself whenever she feels led because I know, now, that following your heart looks different depending on the day. The roots of one's heart plunge deep and its life source is not like quicksilver.

And I would tell her to not be afraid of what she thinks. She needs to know that her mind is a beautiful place and that it doesn't matter if everything isn't all sorted out first. It's okay to be figuring it out as you go. Being all things to all people doesn't guarantee squat. She just needs to be.

Oh, and I would tell her she needs to start writing. Now.

And, oh yeah, she needs to stop smoking. Yesterday.

Yes, I think I would like hanging out with her.